For more than a decade, Thomas Cott has been providing an invaluable service to the arts community by compiling a digest of arts-related articles in an easy-to-read email every morning. After scouring the Internet for the hottest topics of the day, Thomas delivers his newsletter “You’ve Cott Mail” to the inboxes of colleagues around the world,
Networking & Community
When Richard Florida took the mainstage at last year's Americans for the Arts conference in Portland, Oregon, the woman next to me—we had never met—leaned in with an immediate response. "Hubba-hubba," she murmured in my direction. The Carnegie-Mellon University professor of economic development had come a long way since the publication of The Rise of the Creative Class in June 2002.
Ann Fink of Carol Fox and Associates Interviews Jay Franke
I think that many organizations have helped my career as an artist. Before I went to college, I thought that making art was about working on one's own. Someone would come to your studio, take the work away to sell it and then leave you alone in the studio again to just keep producing the work. Going to college was the first time that I realized, because so much of our time as artists is spent on our own, the importance of organizations to provide contact and opportunities, both for career development and for our mental health.